Essay Topics in English - Discover the Benefits of Researching Your Topic

Essay Topics in English - Discover the Benefits of Researching Your TopicEssay topics in English are generally not considered to be top on anyone's list. Most students spend a long time and the majority of time trying to create topics that will get their name out there and to other students. The truth is, it is very difficult to come up with something completely original and novel. Even those who are able to come up with topics that are unique and interesting can sometimes have difficulty because it often times takes a great deal of hard work and study to make something that is so unique and interesting.Now the really good news is that there are topics in English that you can use to help you with your essays. Even if your topic is very unique and original, there are some tips that can be used to help with your essay topics. What these tips are is that there are topics in English that are used to explain and research a specific topic. The information that you have researched in the to pic should be backed up with citations and resources.However, you may find that you can do much better if you use essay topics in English that are used to clarify a part of your body of knowledge. For example, let's say that you were studying to become a beekeeper. You would want to use an essay topic in English in order to explore the reasons why you would want to become a beekeeper.One of the most important parts of this topic would be to compare beekeeping with other professions. There are many different types of bees and each has their own unique characteristics and needs. By exploring all of the details in your topic, you will find that you have explored the different aspects of beekeeping in great detail.In addition to this, you may want to compare your experience and knowledge of beekeeping with the experiences of others. If you see that the majority of the other individuals that are learning about beekeeping are still choosing to doit, then it may be a good idea to look into becoming a beekeeper yourself. In the end, you will find that you have been able to learn more than you ever expected to from this topic.Although this tip does not help with current essay topics in English that you are working on, you may find that you can also use this tip in the future. When you do this, you should always ask yourself if what you are planning to do is feasible. If it is not possible, then you may need to think about whether or not you would be able to find something else that would give you the same results.In conclusion, you will find that there are many things that you can do with current essay topics in English. As always, there are many resources that you can turn to for help. However, if you are new to this or if you want a little help, it is always best to find a teacher or advisor who can help you with essay topics in English.

Marketing Analysis The Sisley Advertisement - 1398 Words

a. How did you obtain the ads? What is the name of the magazine? Date published? The Sisley advertisement was obtained from the online website of the magazine â€Å"Elle† Russia which was published January 17, 2014. The Michael Kors advertisement obtained from the online magazine â€Å"VOGUE†, the October, 2014 issue. b. What is the brand of the product? What is the logo? Sisley, an Italian brand, was established in 1968. Sisley is a sister company with another Italian clothing brand â€Å"The United Colors of Benetton.† The company has â€Å"extremely up-to-date collections right down to details, to accessories, colors and to fabrics, which are combined to a refined style, with no overstatements (â€Å"Brand History†, 2014). Many people know Sisley as a brand with strong brand equity. It has a strong brand image and is known for scandal advertisement campaigns with strong message to public. The logo of the brand Sisley is a word â€Å"Sisley† which is usually written in white color on black background or sometimes vice-versa: black letters on white background, font Helvetica Black (Andrea Intagliata, 2014). Michael Kors, a world known American fashion brand,was established in 1981. The brand has two lines: Michael Kors collection and MICHAEL Michael Kors line (â€Å"About Us†, 2014). The logo of the brand is two letters MK written in black color, where the M smoothly passes into the K and enclosed in a circle. The typeface used for the logo is Proxima NovaShow MoreRelatedThe Company United Colors Of Benetton3607 Words   |  15 Pagesconsumer segment in the marketing environment. Evidently, its competitors in the market do not exist exactly in the same industry since Inditex and Benetton produce fabrics, clothing, retail fashion goods, and design, while HM designs and retails its own goods and GAP just retails. There exists a highly competitive marketing environment; however, Benetton strategically shapes the entire marketing mix, to remain on top of their game, in relation to the business and marketing environment. By definitionRead MoreBrand Perception Case Study: Kazo Fashion Limited7843 Words   |  32 PagesAnd Accordingly Suggesting Various Feasible Effective Marketing Activities To Boost Sales. Submitted in partial fulfillment of the requirements of the two year Post Graduate Programme (PGP). Submitted by ABHISHEK KUMAR Roll No. PG20095410 Batch: 2009-2011 IILM INSTITUTE FOR HIGHER EDUCATION ANALYZING BRAND PERCEPTION AND ACCORDINGLY SUGGESTING VARIOUS FEASIBLE EFFECTIVE MARKETING ACTIVITIES TO BOOST SALES 2 SUMMER INTERNSHIPRead MoreComptoir Des Cotonniers6802 Words   |  28 PagesIntroduction †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦..p3 I. Internal Analysis†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦p4 2.1. SWOT Analysis†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..p5 2.2. The Ansoff matrix: Product/Market Strategies†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.p8 2.3. Key Factors Analysis†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦p10 2.4. The Value Chain (Porter)†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..p11 II. External Analysis†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦p12 3.5. Market segmentation†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Read MoreBenetton Brouhaha - Is Benetton’s Approach to Advertising as Depicted in â€Å"Benetton Brouhaha† More Strategic or Structural in Nature?3761 Words   |  16 PagesMarketing 601 Assignment 1 Benetton Brouhaha Benetton Brouhaha Is Benetton’s approach to advertising as depicted in â€Å"Benetton Brouhaha† more strategic or structural in nature? The purpose of this paper is to practice critical thinking by applying elements of reasoning to the article â€Å"Benetton Brouhaha†. The question I will answer: â€Å"Is Benetton’s approach to advertising as depicted in the article more strategic or structural in nature?† I will approach this question by applying critical thinkingRead MoreLogistics and Outsourcing in China: the Benetton Group S.P.A. Case3073 Words   |  13 Pageswas serving 60 countries through approximately 3200 stores, evolving towards one of the main Italian industrial reality in the sector. Benetton Group specializes in the designing and manufacturing of clothing. Nowadays Benetton group consists of the Sisley, United Colors of Benetton, Playlife and Undercolors of Benetton (UCB Kids) brands widely diffused over 120 countries served by 6400 franchised and directly managed stores. Figure 1. Benetton Sales Distribution by Brand 2011. Group Investors

Impairment Loss Assets is AASB 136

Question: Discuss about the Report for Impairment Loss for Assets is AASB 136. Answer: The standard which describes the impairment of assets is AASB 136 as per the Australian Accounting Standards which is similar to the International Accounting Standard, IAS 36. The main objective of this standard is to enable corporates with prescribed methodologies to conduct a test with regards impairment of its assets thus ensures that the assets are not being recorded at greater than its recoverable value. If an asset is recognized at a value which is greater than the actual recoverable amount then the difference of the carrying and the recoverable amount is termed as impairment loss. The said standard also mentions about the various circumstances in which the impairment loss is to be reversed by the corporation and the requisite disclosures to be made (Australian Accounting Standards Board, 2009). The said standard is applicable to all types of assets which are disclosed in the balance sheet of the company but for the below mentioned category of assets simply because the separate standards spelt out for these assets contains provisions for their recognition and measurement.. They are as follows: Stock (raw materials, finished goods and WIP) (AASB 102) Assets that are constructed (AASB 111) Deferred tax assets (AASB 112) Employee Benefits (AASB 119) Financial Assets covered under standard AASB 139 Properties held as investments and agricultural properties which are held at its fair value (AASB 140 and AASB 141) Assets arising out of discontinued operations of the entity or are held for disposal (AASB 5) Therefore whenever a company identifies situations which incline towards the fact that the value of its assets are diminishing, it is then that the company records the impairment loss (Carrying Amount Recoverable Amount) as in its profit and loss statement and deducts the amount from the respective asset as accumulated impairment. Thus until and unless the company faces such factors which prompts it to impair its assets, impairment does not take place. Factors may be internal as well as external in nature. Factors such as a negative change in the market interest rates, instability in political, economic and legal system, the haulage amount of total assets of the corporation is greater than market capitalisation or declination of the market value of an asset significantly are external factors. Whereas internal factors comprises of situations such as a possible obsolescence, significant restructuring or any indication which reflects that the performance of the entity has deteriorated. So as to enable to know the amount by which an asset has been impaired it is very important to understand certain terms. Carrying Amount: The value at which an asset is presently recorded in the balance sheet of the company before impairment is known as its carrying amount. Recoverable Amount: The higher of an assets or Cash Generating Units fair value less cost of sale and value in use is termed as recoverable amount. Cash Generating Unit: It is a unit of a company that comprises of a number of assets which are independent of generating revenue. The CGU comes into picture when the impairment of individual asset is not possible to do. In such scenario one has to conduct the impairment of the CGU to which the asset belongs. Value in Use: The NPV of the cash flows that is likely to be generated from the asset is coined as value in use (Bond et.al. 2016). For example if there are indications of impairment of an asset , say plant and machinery, then the recoverable amount is first and foremost calculated. The fair value less its selling expenses and the NPV of its future cash flow whichever is higher. Then the difference between the two i.e. CA- RA is termed as impairment loss and is recorded as an operational expense in the profit and loss account. The amount is deducted from Plant and machinery mentioned in the balance sheet. It is equally true that if an asset is subject to impairment, the same is also subject to such reversal also. It is applicable for the individual asset as well as the CGU. Goodwill is not a part of the said reversal as per the standard. Thus at the end of each accounting period a test is conducted to check if the impaired assets no longer required to be stated at such a devalued amount. If the situation is so then the amount is written back but only to the scope the carrying amount of the asset would have been had it not been subjected to impairment (Henderson et.al. 2014). The standard further requires the entities to report about such impairment in there notes to accounts as well. Disclosures which are mandatory as per AASB 136 are as under: Every company which ha impaired its assets or a CGU shall disclose the following: The amount by which the asset is impaired or reversed and recorded in the income statement of that reporting phase and the line item(s) which is a part of the statement of comprehensive income in which such impairment is also recorded. The amount of impairment loss on the revalued assets which has been recorded in the other comprehensive income The amount of impairment loss reversed on revalued assets and recorded in the other comprehensive income (Buschhuter, Striegel, 2011). If an entity does segmental reporting as per AASB 8, then it has to disclose the amount of impairment loss or reversal which has been recorded in the income statement and the other comprehensive income For any significant impairment loss or reversal the entity will have to disclose the circumstances which led to such impairment, the amount, nature of the said asset, full description of the cash generating unit being impaired. Lastly impairment with regards goodwill is to be disclosed separately (Dagwell et.al. 2012). Thus on a concluding note, it is very apparent that the said standard is of utmost importance as it enables the entity to reveal the actual position of its assets. This in turn reflects the liquidity position and the ability of the entity to pay off its debts. Its importance is all the more perceived after the various economic crisis that has occurred in the past due to incorrect reporting of the assets of the company. Thus AASB 136 is prescribed to ensure that the balance sheet portrays a correct picture of the position of the entity rather than a rosy one. References: Australian Accounting Standards Board, (2009), Impairment of Assets- AASB 136, Available at https://www.aasb.gov.au/admin/file/content105/c9/AASB136_07-04_COMPjun09_01-10.pdf (Accessed 17th September 2016) Bond, D., Govendir, B., Wells, P., (2016), An evaluation of asset impairment decision by Australian firms and whether this was impacted by AASB 136, Available at https://www.uts.edu.au/sites/default/files/ACCDG_Aut15Sem_D.Bond_.pdf (Accessed 17th September 2016) Buschhuter, M., Striegel, A., (2011), IAS36- Impairment of Assets, Gabler: USA Dagwell, R., Wines, G., Lambert, C., (2012), Corporate Accounting in Australia, Pearson: Australia Henderson, S., Peirson, G., Herbohn, K., Howieson, B., (2014), Issues in Financial Accounting, Pearson: Australia

The Dura Europos Synagogue

Table of Contents Introduction The Dura Europos Symbolic Narrative Sequential Narrative Comparative Narrative Conclusion Works Cited Introduction Jewish artists have real pieces of art works as history reveals. Jewish artists have created pieces of arts for at least the last 2,000 years. These are evident from paintings of â€Å"18th century, 500 years of making ritual objects and illustrated prayer books, haggadahs, megillas, ketubos and the extensive production of illuminated manuscripts between 1300 and 1500† (Sed-Rajna 237).  In addition, there are several pieces of arts in Israel mainly in synagogues. These reveal arts of fourth to sixth centuries (the Common Era). The origin of such works was Dura Europos.  Advertising We will write a custom research paper sample on The Dura Europos Synagogue specifically for you for only $16.05 $11/page Learn More The Dura Europos The Dura Europos paintings represent a great deal of the Jewish art. According to Sed-Rajna, a Jewish art scholar, Jewish art portrays an iconographical language with elements of narrative language. He notes that there are three types of narrative arts as follow: Symbolic Narrative This category has murals of Joshua, Messiah, Moses ascending Mount Sinai and at the Bush, Torah niche, and Abraham and the Covenant (Sed-Rajna 229). Sequential Narrative This area has murals of the Exodus, Elijah, Ezekiel, Triumph of Mordechai, and the Valley of the Dry Bones (Sed-Rajna 230). Comparative Narratives There are paintings of the Well in the Wilderness, the Ark in the Temple of Dagon, and Tabernacle (Sed-Rajna 230). There are many categories and identifications of Dura Europos and frescos paintings. However, most of these classifications are under scholarly debates. It is only these three areas, which scholars have reached a consensus. Based on such differences, various art scholars have expressed different views on Jewish arts. For instance, some schola rs have focused on didactical and historical elements of the art. Others have considered frescos as commentary part of the official Roman art. In addition, thematic concerns usually involve Messianic elements according to Erwin. There are other different opinions on Jewish art (McBee 1). Such views only express how Jewish art can draw various meanings due to its richness.Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Symbolic Narrative Torah niche is a striking part of the synagogue with various paintings, which bear different interpretations. It has murals of Jacob blessing his sons. However, much repainting has damaged the piece. This painting may depict Moses, Abraham, and Joshua at different occasions. The Torah niche has a definite figurative representation. It represents â€Å"a closed temple, temple menorah, and a lulav and esrog on the left† (McBee 1). This was the idea l form of representation for over 300 years in synagogues. On the right, there is the Binding of Isaac. We can also observe a tied ram and Abraham with a knife. â€Å"Isaac is on the altar while a hand from heaven† (McBee 1) prevents the pending sacrifice to God. Others argue that there is an insertion of Sarah standing outside the tent on the upper right of the painting. It shows Sarah’s reaction and comprehension of the ongoing events. According to Sed-Rajna, â€Å"the scene is the first attempt in Jewish art to transpose a literary account into visual form† (Sed-Rajna 239).  As a result, it signifies the change in representation from symbolic art to narrative. This mural is important because it is among many Jewish paintings attributed to sacrifice. Figure 1: the Akeida (Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria) We cannot underestimate the relevance of these murals in Jewish art. This painting was among the earliest works of art in Jewish paintings. It became a model for many synagogues for over a period of 300 years. Akeida was the pictorial narrative that focused on representing the Jewish religion in the form of painting. The painting achieved this by utilizing the local culture to reinforce the Jewish religion and the role of God and mercy in their lives. It is also interesting to note that some of the images do not represent Sarah as others do. This painting marked the start of Jewish art. This mural is complex and many scholars agree that it has a rich history, but a thorough study of Dura Europos reveals unknown mysteries. Figure 2: Akeida: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria Sequential Narrative Most of Dura Europos paintings relied on Torah narrative in order to capture complex issues and affairs of communities. Dura Europos paintings bear the greatest representation in the Jewish art history.Advertising We will write a custom research paper sample on The Dura Euro pos Synagogue specifically for you for only $16.05 $11/page Learn More It also has various aspects of Torah subjects, which are the most outstanding form of paintings in Jewish art. However, some paintings with illuminated Haggadahs from Spain took this legacy after thousands of years. We also note that the idea of â€Å"decorated synagogue only reappeared later in the 17th century due to shuls paintings of Russia, Poland, and Lithuania† (McBee 1). Figure 3: Exodus from Egypt: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria Dura Europos murals in synagogues also have extensive figuration. There are images, which show followers on the walls. However, according to McBee, close examinations of these images reveal that they represent â€Å"Torah figures, Abraham, Moses, Samuel, and Elijah† (McBee 1) in Roman attires. These show that such figures were statesmen and heroes of the time. However, they lead to confusion on the differe nce between Gentile and Jew. Figure 4: Rescuing Moses: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria These murals have also presented problems in relation to factual consistencies. For instance, murals of Exodus do not concur with the narrative sequence. The Temple of Aaron during sanctification highlights â€Å"a bull about to be killed with an ax† (McBee 1). This does represent the normal Jewish tradition of slaughtering bulls. Still, on the Solomon’s Temple, the doors have decorations with pagan elements. Lastly, the painting on Rescuing Moses shows that Pharaoh’s daughter had no cloths. These variations in interpretations of Jewish art in synagogues represent various ideas, which scholars have attached to these paintings. Such differences in representation of paintings may have taken place due to borrowing of non-Jewish styles for Jewish paintings. For instance, we have the application of Zodiac that highlights God’s power over th e world by his worldly agents. This representation also has a chariot and sun. Artists combined both elements to reflect paintings of the time in the synagogue. The most represented form of painting in the Dura synagogue painting is Moses at the time of the Exodus. It occupies the upper right wall with depiction that across run from left to right. Moses is conspicuous with his soldier has he leads them out of Egypt. A closer look reveals that there is an open entrance of Egypt, which has deities. These deities show paganism in Egypt, which Israelites must leave. We also have a flat aerial view that depicts the sea. It is full of drowned Egyptian soldiers. Again, Moses leads Israelites with his rod in his stretched hand over the sea. Moses also leads Israelites across the sea as they match along 12 lanes. We also notice the ‘Hand of God’ on these paintings has it directs Moses through the Exodus event.Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More The artist must have been familiar with the events of the time and Jewish tradition. The Exodus painting shows Moses as he leads Israelites out of Egypt with God’s guidance. It depicts the Jewish triumph over Pharaoh’s paganism and the oppression. Figure 5: Exodus from Egypt: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria The paintings of Dura Europos synagogue also have significance in the third century. Most scholars look at the importance of such murals in relation to their place in history. They serve the purpose of encouraging modern Jewish artist and showing them possibilities from the past. Dura Europos is the only Jewish narrative art that has â€Å"Torah, midrash and individual creativity, which span a gap of 1700 years and, with imagination, finding parallels and inspiration between their worlds† (McBee 1). A thorough review of Dura Europos paintings and frescos shows fundamental elements of early Jewish art. Torah niche employed bo th the use of symbols and narrative techniques in order to create meanings evident in the Temples. Exodus paintings reveal the triumph of Israelites against Pharaoh’s paganism and slavery. Rescuing of Moses shows Pharaoh’s daughter rescue the infant. These pieces of art works use both midrashic and Biblical elements in order capture history of the time. They also use non-Jewish elements to enhance visual features of paintings. Some of the most important paintings in Duran Europos painting are those of Elijah and Ezekiel. These paintings also attack paganism at the time. Scholars draw this conclusion by performing comparative narratives. Figure 6: Elijah on Carmel: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria Scholars have used continuous narrative in order to explain paintings depicting Elijah. Such paintings depict divine intervention for the community and for himself. There is also the unsuccessful struggle that involves Elijah and Prophet of Ba al on Mount Carmel. We can see eight priests in their Roman attires next to the altar with the god’s sacrifice. Below the altar, there is also a small animal ambush by a snake. It represents the evil, Hiel of Ahab. He wanted to light the fire. However, the serpent from God consumed him before he could light the fire. We can also see Elijah’s sacrifice on fire. He is evoking the heavenly fire and calling for drenching of the sacrifice because of the interference by evil forces. These paintings depict a war against paganism in which God comes to the rescue of true believers. In the paintings of Ezekiel, the presence of God is eminent through the visible hands on the top of the paintings. This reflects the important prophetic role of Ezekiel among the Jews. He stands for the redemption of the entire community. The first image reveals how â€Å"Ezekiel ended up in the valley of the dry bones† (McBee 1). In the valley, we have features that represent feet, hands, and heads. Ezekiel must provide his prophecy about the importance of these features. The meaning represents coming back to life because this is the interpretation from God. Further, we also see the three angels and another one on the ground as they perform miracles. Figure 7: Ezekiel Valley of Dry Bones: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria We also notice Ezekiel adorned in Roman attire in another part of the painting. This represents the return of ten tribes that disappeared. These are the ten men with Ezekiel. It also shows resurrection of Israelites during the period of Ezekiel. The presence of the ‘Hand of God’ is also conspicuous in this painting. Scholars claim that these paintings highlight the role of God in resurrection of Israelites as a nation and individuals after their deaths. According to Elsner, â€Å"one fundamental theme to the Dura murals is something called Cultural Resistance (Elsner 269).  Elsner argue that Jewish paint ings rebuked cult religion that was in Dura. Therefore, these paintings aimed to eliminate paganism and restore the Jewish monotheism among people who were losing their cultural identity. Figure 8: Aaron’s Temple: Dura Europos (245 CE) Courtesy of National Museum, Damascus, Syria Such paintings in the synagogue dispel the claims that Jewish did not allow visual images in the synagogue. Scholars consider this prohibition has the most misunderstood part commandment in relation to arts. They point out that it refers to the creation of idols and not artistic representations in arts. However, the interpretation this command often varied with time. This because others followed it strictly while others gave a loose interpretation. In this context, we can argue that earliest works of Jewish celebrated art works and used visual arts as ways of honoring God. This was the purpose of paintings in the Dura Europos synagogue. Therefore, we can see how religion influenced lives of Jewish th rough arts. Comparative Narrative From the comparative, we look at the Aaron’s Temple and the Miraculous Well. The paintings depict variations in Jewish arts. We have the Ark and the Dagon Temple in which we interpret a message of victory. Other paintings depict rigid systems with no human beings present. Such paintings represent broad ideas and schematic representation. Scholars consider such images as non-Jewish because of the pagan elements on the closed door. Therefore, it is a wasteland in which no religion or life can thrive. The comparative narrative aimed to depict that paganism did not stand a chance in the Jewish land because of the destruction of the idols. Conclusion The Dura Europos has demonstrated the three interpretations of the paintings in the synagogue. These are various narratives like symbolic, continuous, and comparative. These paintings are complex, and we can only understand them through classification. This is because the paintings involve a number of elements from both the Bible and the midrash. In addition, we also have to deal with the artist’s point of view. The artists have depicted ‘Hands of God’ to mark his presence in most of the events of the Jewish. Such Jewish arts show possibilities that paintings can capture with imaginative approaches. We have to understand various figures, attires, and motifs of the paintings, which give us rich imageries and depictions of Jewish art. The Dura Europos represents the earliest work of arts by Jewish. Scholars and artists have to start from this foundation in order to understand contemporary works of Jewish arts. Therefore, Dura Europos paintings shaped the way for future arts of Jewish. Works Cited Elsner, Jas. â€Å"Cultural Resistance and the Visual Image: The Case of Dura Europos.† Classical Philology, 96.3 (2001): 269-304. Print. McBee, Richard. Dura Europos Project II at UJA New York . 6 July 2010. Web. http://www.jewishartsalon.com/2012/03/dura-europ os-project-ii-at-uja-new-york.html. Sed-Rajna, Gabrielle. Ancient Jewish Art: East and West. Secaucus, NJ : Chartwell Books, 1985. Print. This research paper on The Dura Europos Synagogue was written and submitted by user Faith Hodge to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Sony Corporation

Sony Corporation Company Overview Sony Corporation (Sony) is one of the leading electronics manufacturing and distribution Companies in the world. The company deals with the design, development, manufacture, and sale of products such as communication products, televisions, video and audio products among other electronic components (Stdtler, 2011). Apart for this entity, it also offers insurance services through its subsidiaries in Japan. Other business operations include advertising agency and network services.Advertising We will write a custom case study sample on Sony Corporation specifically for you for only $16.05 $11/page Learn More The company’s operations fall under six reportable segments. They include networked Products and Services; Music; Consumer Products and Devices; Pictures; Financial Services and others. It also operates its subsidiaries across 200 countries inEurope, North America as well as Asia. The Company’s headquarters is in Tokyo, Japan. Its major industry competitors include Dell, Creative technologies, LG, Samsung, Fujifilm Holdings, Philips, Pioneer Corporations, Hitachi, and Casio Computers (Stdtler, 2011). How Internal and External factors may affect the firm The internal factors are those whose origin and control are within the capacity of the firm. They include strengths and weaknesses. The strengths within Sony shall be material assets that will boost its performance if well administered. This firm may achieve strategic objectives through utilization of its strengths. On the other hand, external factors entail those influences that emanate from outside the firm. They come as opportunities and threats. Threats are harmful hence; they will impair on Sony’s growth objectives. Such threats may come in form of strong brands, imitation, and changing customer needs. On the other hand, opportunities are external factors that the business can utilize in achieving its objectives. Threats also fall under the ext ernal fundamentals that could damage performance of Sony Corporation (Jalan, 2004). Analysis of the company using this tool would be beneficial in diagnosing the external and internal environments in which Sony operates. As such, the information can steer growth and progress within the limits of its goals and aims. EFE Matrix It relates the firm’s performance ratings relative to a laid down aggregate score. The tool employs a factor approach is its analysis of the external opportunities as well as threats in which numerous factors relevant to the firm are established. Allocation of weights depends on the magnitude of their influence on the firm’s performance in order to develop their relative weights (Stdtler, 2011). The weights may take ratio or percentage form. No OPPORTUNITIES WEIGHTS RATINGS WEIGHTED 1 Maintenance of leadership in prices 0.10 3 0.3 2 Creativity and Innovation 0.25 3 0.75 3 Strong IT base in the industry 0.1 4 0.4 4 Wide Network and globa l Presence 0.1 4 0.4 5 Strategic Outsourcing and marketing 0.1 4 0.4 6 The capacity to develop Quality products 0.15 3 0.45 THREATS 1 Price wars 0.05 4 0.2 2 Product imitation 0.05 2 0.1 3 Strong and competitive brand in the industry 0.05 4 0.2 4 Changing consumer needs 0.05 3 0.15 TOTAL 1.00 3.35 The above analysis of 3.35 aggregate weight score in Sony’s EFE Matrix indicates that it is responding well in respect of its threats and opportunities in the electronics industry.Advertising Looking for case study on business economics? Let's see if we can help you! Get your first paper with 15% OFF Learn More The analysis depicts the external environment in which Sony operates, and how it is doing relative to the industry participants (Jalan, 2004). It is therefore, important to note that strategic efficiency has capitalized on the opportunities presented by both environments. On the other hand, the company has done well in monitor ing and dealing with the threats that may deter its progress. The ratings used above for individual factors are calibrated on the scale of 1to 4. The total maximum score obtainable by any industry participant is four. The weights and ratings employed in the EFE Matrix demonstrate the effectiveness of a Company’s strategic framework (Jalan, 2004). Below is the interpretation of the weighted scores in order to show the outcome of the performance obtained by Sony. 4 = Excellent Response to factors; 3 = Above Average; Average Response and 1 = Poor Response. Internal Factor Evaluation Matrix (IFE Matrix) No INTERNAL STREGTHS WEIGHTS RATINGS WEIGHTED 1 Customer relationship 0.10 3 0.3 2 Production Adaptability 0.10 3 0.30 3 Leadership in Technology 0.10 4 0.40 4 Reliability of products 0.10 3 0.30 5 Leading Supply chain 0.10 4 0.40 6 Financial ratios 0.15 3 0.45 INTERNAL WEAKNESSES 1 Weak management 0.15 2 0.30 2 Little Diversification 0.10 3 0.30 3 Commu nication loops 0.10 3 0.30 TOTAL 1.00 3.05 The IFE Matrix is an audit tool of an organization. This strategic management tool helps the management to evaluate a company’s internal environment in relation to its threats and strengths. This tool summarizes the strengths and weaknesses of Sony Company in order to observe its performance from the internal space (Stdtler, 2011). The methodological approach used in the design of the IFE is similar to that used in EFE. The difference between the two is that IFE deals with the internal factor analysis whereas EFE examines the performance of a firm with regard to external. Sony’s weighted score of 3.05 represents an average performance and response to its internal factors influencing its operations. It shows a well strategically managed position in a bid to capitalize on the prevailing strengths while at the same time cushioning itself against its weaknesses (Jalan, 2004). Interpretation of the weightsAdvertising We will write a custom case study sample on Sony Corporation specifically for you for only $16.05 $11/page Learn More 4 = Excellent Response to factors; 3 = Above Average; Average Response and 1 = Poor Response. SWOT Analysis Strengths Sony has the capacity to develop a high-quality product portfolio for its customers. historical results and record show that the company is reputable in the market Advanced and technological capacities capable of handling multiplicity of product lines present Sony with a rare opportunity for success. The company engineers have the knowledge of the previous failures and are capable of making up for the lost glory. The competitiveness of the company is good compared to its market rivals The ability to expand its market share and produce a wide range of products Weaknesses Prevailing price wars in the industry are a major undoing to Sony. The company has enjoyed the confidence of being a price leader the recent past, but the emergen cy of strategic price wars poses a potential threat (Jalan, 2004). Minimal diversification in its product portfolio is a critical scenario that may hamper Sony’s strategic growth. Retarded growth of its sales depicts a great slow down in its expansion plans. The management of the company seems to have no proper strategic management plan to forge the business ahead. Lack of proper formula of communication within the functional departmental network has led to reduced productivity. Opportunities Its originality and creativity is an essential asset for its potential growth. Its reputation may pose a significant platform for its progress. Its customer led pricing strategies aimed at winning market loyalty is a huge milestone opportunity presented to it (Jalan, 2004). Its technological strength may render its expansion plans possible in order to capture other income streams. Strong and robust supply chain- marketing and advertising departments have stepped up their strategies to create new market niches for its expanding product portfolio through strategic partnerships with leading chain suppliers. Threats Competitors- The industry is rife with competitors who are equally powerful. They are market participants with strong brands, and they include Samsung, Fujifilm, and LG among others. Market surveys and researches indicate that imitation of its products is on the increase. This product proliferation poses a huge threat on the originality of products and customer loyalty developed over many years. This trend occasioned by the emergence of new and cheaper technologies from the Asian region whose proponents have interfered with the brand (Jalan, 2004). Lack of adequate and comprehensive strategy implies that most of its rivals are doing better because their product penetration is doing well. Summary of SWOT matrix (Analysis) STREGNGTHS WEAKNESSES Production capacity and adaptability Stiff competition from strong brands on the market Financial ratios Price wars Leadership in technology Little diversification Price leadership Lack of strategic communication plan Excellent customer service OPPORTUNITIES THREATS Wide market Coverage and global presence Price wars Maintenance of low price leadership Changing needs of the consumer Supply Chain Presence of other strong brands (Samsung, LG) Creativity and innovation Product Imitation (Chinese Electronic industry) Emerging markets Conclusion The SWOT analysis above demonstrates how Sony has been able to nurture is ability to gain a competitive advantage in the market. Although weaknesses and threats are inevitably present, their effects have remained detrimental due to capitalization on opportunities and strengths inherent within the firm. Some of the significant factors greatly responsible for this milestone include a robust and sustainable technology, price leadership, and innovation. References Jalan, P. K. 2004). Industrial sector reforms in globalization era. New Delhi: Sarup Sons. Stdtler, R. (2011). Strategy Coursework – Sony Corporation. Norderstedt: GRIN Verlag.

Workplace Motivation Case Study Example | Topics and Well Written Essays - 1250 words

Workplace Motivation - Case Study Example Mitsubishi Motors is the leading car manufacturer operating on the global scale. During 1990s, the company experienced problems with workers motivation which influenced productivity level and product quality. The main sources of resistance were lack of skills and low morale, low personal commitment and fear of technological changes (Mitsubishi Motors 2007). The corporation has to deal with motivation from the standpoint of the environment, that is, the various kinds of rewards and pressures within which people operate at work. Also, the corporation pays attention to motivation from the standpoint of the individual himself: his needs and purposes and how he acquires them. In order to increase productivity, Mitsubishi Motors develops new management strategies based on intrinsic motivation. As the most important, they underline manager's role in motivation and commitment. The key to a productivity-motivated workforce is a supervisory style which enhances the workers' proprietorship of their jobs. Management has too often approached the problem negatively, by depriving workers of control in order to forestall stoppages and goldbricking. Mitsubishi Motors pleads for a positive approach, for delegating this control in order to make the satisfactions of self-discipline possible (Scheuer, 2000). The morale changes occurred after men begin to think of themselves as belonging to a group. Part of the bargain is a worker's passive acceptance of any method that management might choose for organizing his work, even if this meant fragmenting his job to the point of tedium and regulating it to the point of puppetry (Scheuer, 2000). As a result, the men feel that they are important rather than taken for granted; each man knows that the group's record would suffer if he slackens, and most are determined not to let this happen. It is important to note that productivity is the goal, and control is merely one of several possible means to achieve it. The way to achieve the greatest profit is to remove the artificial impediments to productivity rather than to impose a regulatory system, no matter how tidy. A consistent record of excellence would then become a matter of personal pride rather than a meaningless exertion for somebody else's gain. The key to linking the individual's most pote nt aspirations to the goals of his company is his membership in a group which participates in its own management -- a group in which the role of the supervisor is changed from that of an enforcer or overseer to that of an expediter, an information giver, and above all an ego supporter. (Robbins, 2002). Security in the past and fear of change are another problems faced by Mitsubishi Motors. The 1990s were marked by technological and information changes, so many workers were afraid of negative consequences of these improvements. For a worker, the principal advantage of the old system is that he knows it well; it is at least predictable and that, for him, is not a small advantage by any means. He will not welcome change, but he is not likely to resist it very much, either. He considers resistance useless, and besides, he expects that in the long run all systems will work out about equally for him. Mitsubishi Motors introduces extensive training programs for assembly workers (off-job and on-job training). Also, the company proposes financial benefits for

Understanding The Relationship Between Organisational Structure and Assignment

Understanding The Relationship Between Organisational Structure and Culture - Assignment Example Organizational structure can be seen as the method in which interconnected groups and organizations are set up in order to permit them to function effortlessly from a larger standpoint. Two major purposes of a successful structure are to guarantee effective communication among different parts of the company and increase coordination among different departments. In practice, of course, it is impossible to separate structure and culture of an organization. So while we create organizational structure that spells out the positions to be filled by members of an organization. It is mostly culture that defines the roles that go with these positions and the kinds of people who will fill them. In a practical sense, it is difficult to differentiate structure and culture. â€Å"So while we create organizational structure that spells out the positions to be filled by members of an organization, it’s mostly culture that defines the roles that go with those positions and the kinds of peopl e who will fill them† (GTP Organizer Training 2007). 2. Explain how the relationship between an organization’s structure and culture can   impact the performance of the business. The relationship between organizational culture and organizational structure plays an important role in creating an impact on the performance of business. The culture of management and the employees, situations, events, substance, information, processes and such elements are necessary for organizational decisions and movement. In addition, power, task and responsibility of the employees also influence the performance of a business. The management fixes a structure for the business, which involves culture as a... Understanding The Relationship Between Organisational Structure and Culture Presently there is a lot of  information and data available on the culture of organizations. Organizational structure and organizational culture are closely intertwined with one another. It is also the point of view through which people see their organization and its atmosphere. Organizational culture is more of a bigger picture, a more universal term that refers to a big umbrella of smaller issues and topics in an organization. The organizational structure denotes to the infrastructure of the organization and the numerous practices and methods involved in that infrastructure. This organizational structure assists an organizational culture run with reliability and efficiency, which is be the trademark of a healthy organizational structure. It is seen in a sports team, corporation,  or any other group that is large enough to generate its own organizational culture. This makes the organization structure an integral component of the organizational culture of the organization, but al so narrows out a very particular section of the culture as its own duty and responsibility. In terms of work behavior, an individual is expected to be provided with employment when the organization recognizes and understands the values he or she is concerned about. The values of a firm are often portrayed in the mission and vision statements of the company, which an aspect of the planning function.